Aisle Be Seeing You

Ives Songs

"He [Ives] put Milton to music, and Kipling. It was often in the past. Or he could take a scrap, a headline from a newspaper and somehow dignify it with music that surged over it. It could be a triviality, but somehow or other it fired his imagination and the music came spontaneously....He did it again and again. He took only part of a Kipling poem, part of Milton, too. Just a phrase would fire his imagination. It was extraordinary what he accomplished."
— Poet-anthologist Louis Untermeyer

"...in 1934, I published an article in the magazine Modern Music on the music of Charles Ives, based on a first acquaintance with the remarkable collection of his 114 Songs that he himself had published and had sent to me. The essay began: 'It will be a long time before we take the full measure of Charles Ives.'"
— Composer Aaron Copland

Both of the above quotes regarding the songs of Charles Ives are taken from Charles Ives Remembered, An Oral History, by Vivian Perlis.

Soprano Deborah Voigt will sing five Ives songs on her November 13 Celebrity Series recital at Symphony Hall.

Live at the House of Sanders

Inconsequential details abound from tonight's engagement at Sanders Theatre by Wynton Marsalis and his, variously, quintet/sextet/quintet and vocalist:

1. That Wynton and band had brunch at Henrietta's Table in The Charles Hotel before the show (of delicious consequence to them, no doubt);

2. Wynton let his audience know he had never played Sanders Theatre before and that he admired the woodwork;

3. Harvard's eminent Henry Louis Gates attended the performance (of consequence to him and his tapping foot, surely).

Aside from all that fluff, and aside from the very consequential fact of Wynton's small band(s) living fully, swingingly up to expectations, the audible sighs (gasps?) from the audience when singer Jennifer Sannon launched into "I'm Just a Lucky So-and-So" and the wild applause that greeted pianist Dan Nimmer after nearly every solo, revealed that the young singer and young pianist were the surprises of the evening that would have everyone buzzing. And she's only 20 years old!
Jennifer Sannon and Dan Nimmer - remember those names.

Further inconsequence overheard on the way through Harvard Yard tonight:
"The rhino is really a very horrible creature, you know."
"Of course."

The Limón Dance Company returns to Boston and the Celebrity Series this weekend for the first time since February of 1965, when they performed at Jordan Hall — that’s not a typo. The Celebrity Series presented the then José Limón Dance Company five times between 1952 and 1965 and all engagements took place at Jordan Hall, that gem of a recital hall at New England Conservatory. It’s true.

Former Celebrity Series Executive Director, Walter Pierce, newly returned from a
Sicilian vacation, remembers that Mr. Limón himself danced in The Moor’s Pavane at the ’65 engagement.

"Celebrity Series Soprano Sings Rice" follow up

Alex Ross (The Rest is Noise) had this to say about the Two Sides Sounding (featuring former Celebrity Series employee, Eleanor Taylor, you'll remember) recital at Manhattan's St. Peter's Church on Tuesday:

"Corey Dargel's Condoleezza Rice song cycle — setting three passages from the Secretary of State's speeches — sounded prankish in concept, but was surprisingly moving in execution; the prosody was immaculate, the accompaniment achieved a certain Handelian grandeur. I recommend these songs to sopranos of daring." Alex's post.

Higher Ground concert recording to be released by Blue Note

You may recall that trumpet titan Wynton Marsalis organized a remarkable benefit concert called Higher Ground back on September 17 for hurricane relief efforts in New Orleans. The concert aired on multiple television stations and satellite radio and will soon be released by Blue Note records as a CD and in a "digital version," presumably available as a download from online music stores (CDs are digital, too, aren't they?).  Proceeds from the recording will also go to hurricane relief. You can order the CD here (among other places, I'm sure).

Not to make this a self-referential exercise, but I was struck while reading about the concert and CD how many of the "cast of thousands" performing - musicians generally regarded as jazz and popular music performers - have graced Celebrity Series stages. Considering jazz and popular music performances are not our major area of emphasis, it's an interesting and perhaps odd coincidence that Diana Krall, Dianne Reeves, Marcus Roberts, Wynton Marsalis, the Lincoln Center Jazz Orchestra, Joe Lovano, Cassandra Wilson, and Peter Cincotti all have the Higher Ground CD and the Celebrity Series in common.

I don't know, maybe it isn't all that odd...

"The Benefits of Being a Dead Artist"

The headline sounds a bit harsh, but its point - that "only [her] stunning works prevail," the choreographic cream rises to the top, etc. - is well taken. Read Tarin Chaplin's review of the Martha Graham Dance Company for The Barre Montpelier Times Argus.

Boston gets a chance to see The Martha Graham Dance Company at The Shubert Theatre, December 2-4 for the first time since 1996.

Cecilia at Symphony Hall

She blazed into Symphony Hall again for a concert of Scarlatti, Caldara, Handel and Corelli with the Orchestra La Scintilla of Zürich Opera.

The Boston Globe's Richard Dyer reviewed yesterday's concert by Cecilia Bartoli at Symphony Hall: "Her voice is not large, but the emotional wallop it delivers is." Read the full text of Mr. Dyer's review here.

The four encores, in order, were:
Giovanni Bonocinni
"Oindra mai fu" from Xerse
Handel
"Datempesta" from Giulio Cesare
Alessandro Scarlatti
"Che dolce simpatia" from Il Giardino di Rose

The fourth and final encore was a reprise of Handel's “Disserratevi, o porte d’Averno” from Oratorio per la Resurrezione di Nostro Signor Gesù Cristo

A colleague in attendance who is a fan of the music but not one to pull punches said it best, "It was beyond awesome.... she is an international treasure..." To say we are proud to present Ms. Bartoli is an understatement.

As of September 13, Ms. Bartoli's recordings are available for download on iTunes? This should have some impact on the "demise of the classical recording industry" discussion...the details.

Celebrity Series Soprano Sings Rice

Leave it to Alex Ross (The Rest is Noise) to recognize and promote talent. Tucked away at the end of his post on the passion for opera shared by Tom Delay and Robert Bork and the general state of opera in Washington, is a little item that really drew our attention. Soprano Eleanor Taylor (a Celebrity Series employee from 1993-98, thank you very much!) and pianist Jocelyn Dueck (the duo call themselves Two Sides Sounding) will perform the world premiere of a song cycle by Corey Dargel and Sam Piperato set to the speeches of Secretary of State Condeleeza Rice. The performance is at Manhattan's Saint Peters Church on October 25. Break a leg, Eleanor!

Ethio-buzz

We have discussed the project here before, but people are getting quite excited about Russ Gershon and the Either/Orchestra's ongoing Ethio-jazz activities. The band's new CD, Live in Addis, was recently released on Buda Musique . The band has been making appearances locally with Ethiopian multi-instrumentalist Mulatu Astatke and talking about the new Either/Orchestra recording and Jim Jarmusch's use of Astatke's music in his new film Broken Flowers.

In Thursday's Boston Phoenix, Jon Garelick took a look at the Either/Orchestra's Ethio-jazz project as did Bob Young in Tuesday's Boston Herald.

You can hear the Either/Orchestra play Ethio-jazz with Mulatu Astatke in a November 2004 performance from New Sounds Live at World Financial Center (aired on WNYC January 13, 2005).

Russ and Mulatu Astatke dropped in on Christopher Lydon's Open Source on WGBH-FM on October 12. The full hour is available here.

For our part, the Celebrity Series will present the Either/Orchestra and Ethiopian guest musicians on Saturday, January 28 at the Berklee Performance Center.

"...still tapping on the door of innovation"

The Celebrity Series along with our friends at World Music brought tap dance magician Savion Glover to Symphony Hall last night for Classical Savion, which paired the renowned hoofer with a chamber orchestra and, for the finale, a small jazz unit. Dance critic Theodore Bale reviewed the performance for today's Boston Herald.