Pianist Ingrid Fliter is definitely at the point in her career in which people are beginning to know her music and want to hear her story. She spoke to The Times (UK) recently on a range of topics, including Chopin, pianist Martha Argerich, and winning the Gilmore Artist Award:
"Her big break was a once-in-a-lifetime chance — the intervention of
her all-time idol, the Argentine piano legend Martha Argerich, many of
whose best qualities she shares, though she would never admit the
comparison. 'A friend of mine told me that she was coming to Argentina
and that she wanted to listen to some young pianists — in four days’
time. So I practised 12 hours, 14 hours, on the one piece I wanted to
play, Chopin’s Sonata No 3.' After she had finished, Argerich told her
to pack her bags and go to study with Vitaly Margulis in Freiburg,
Germany. Then she gave her the keys to her flat in Geneva."
Spanish pianist Alicia de Larrocha has died in Barcelona at 86 years of age. Ms. de Larrocha performed a total of seven recitals for the Celebrity Series between 1967 and 1995. Following her 1967 recital, in which she played several works by Granados and
Albéniz, Boston Globe critic Michael Steinberg wrote:
"Alicia de Larrocha plays Spanish music very well. She has the agility and the strength, she defines the dance rhythms with a vitality that is really uncommon, and, after what must be hundreds of performances, she still plays these pieces without affection. She plays the tunes flexibly, not in softly yielding style, but with a steely tensile strength that is exciting."
In 1983, Globe critic Richard Dyer offered the following assessment:
"It's probably a mistake to say, as many do, that the pianist has been an uncommonly persuasive advocate for her country's music. It's true that she completely convinces her listener of its depth and worth. But she has not really urged it into the regular repertory, because other pianists would be crazy to go up against competition like this."
Have you been noticing more attention being paid to Chopin and his music of late? Well, there is a reason. For those of you who are not aware, 2010 is the bicentennial of Chopin's birth. For our part, Chopin is getting some additional Celebrity Series attention in 2010, too. Three of the four pianists on the Series are playing Chopin (and Pollini is playing only Chopin). The latest additional to the public discussion of Chopin comes from today's story in the New York Times about looking for clues, any clues, of Chopin's presence in Warsaw. Read Searching for Chopin in Warsaw.
I can't say this article left me feeling good about the state of Chopin's legacy in his home country, but it is an interesting micro-examination of the issue, at least.
There are "wows" and there are "WOWS"! This one gets ALL CAPS.
WGBH, our NPR/PBS colleagues over in Brighton have announced plans to acquire classical music station WCRB, at 99.5 FM on your FM dial. WCRB will become non-commerical, "in keeping with our public mission," as the WGBH web site says.
Every performance in the Celebrity Series of Boston 2009-2010 season is on sale on from 9am to 5pm (regular box office hours 10-4) this Monday morning, September 14. Call (617) 482-6661 or visit http://www.celebrityseries.org anytime. Start your engines!
And no I don't mean jazz "cats," I mean the furry, purring kind, on video. The video above is the first movement. Visit this page for the other two and an explanation of the project with source materials.
I'm not sure how to describe this. Is it "on the level?", "cruelty to animals?", "a joke?" Well, the cat videos are real and he really did attempt to recreate Schoenberg's famous work and no cats were harmed in the making of this video. On the other hand, how could it not be a joke? If it is a joke, it's no ordinary joke, etc.
Argentine pianist Ingrid Fliter gave an unusual performance of Schumann's piano concerto in Chicago's Grant Park on August 5. Here is a bit of Dennis Polkow review for Classical Review:
"Fliter’s rubato remained a constant surprise: after such a fast, thrilling
opening, she quickly quieted down and slowly took the follow-up section,
offering a satisfying yet alternative interpretive contrast. Her rolling
arpeggios were delivered with such precision and transparency that they often
came across as far more legato and less percussive, a quality which drew more
attention to the overall melodic shape of the piece, as if she were playing
Bach."
Apropos of nothing, Scott McGann, the man accused of planting a fake bomb at New York's La Guardia airport, apparently plays classical piano regularly at Beethoven Pianos, a Manhattan music store on West 58th Street:
"'He's always welcome here,' said Perry Fellwock, marketing manager at the store. 'His piano playing is brilliant. He plays mostly classical music.'"
Links beyond this blog have been known to expire, sometimes rather quickly. I wish things weren't this way (but they are). I will do what I can to choose wisely (but don't say you weren't warned). Click away!