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January 2008

Concertgebouw: kids dig it...

Just found this bit from Brandon Shaw, a music student at Azusa Pacific University. He recently attended the Royal Concertgebouw Orchestra concert in L.A. Here's a bit of Brandon's post:

"I went to Walt Disney Hall tonight and saw the Royal Concertgebouw Orchestra from Amsterdam. They played Strauss’ Don Juan and Mahler V. They were fantastic. It was an experience unlike any other form of entertainment out there today. I was not only entertained. I was enriched. There are people out there who still love classical music and see the beauty in it and can appreciate it, even in our simple-media focused culture. These people will continue to enjoy what is one of the most wonderful forms of art."

Read the rest of Brandon's post here.

For all you Brandons out there in the Boston area, Concertgebouw is yours to discover tomorrow at Symphony Hall. Yes, there will be student rush tickets. www.celebrityseries.org

Pianist and poet Alfred Brendel from "Cursing Bagels"

Brendel_200
Alfred Brendel

Pianist Alfred Brendel's poetry has graced this blog before. I can tell myself that the distinctive dry wit of his poems may offer some insight into his piano performances, but the truth is I just like his poetry. I think they would be funny, irreverent, etc. witty even if they were written by my dry cleaner (actually more so in that case). But then I would have a hard time justifying singing their praises in a blog more or less representing my employer. Because Mr. Brendel has often performed here under the auspices of the Celebrity Series of Boston - and will again, and for the final time, on February 22 - I have had the excuse I need:

That pianos
should not merely be cooked
but also smoked
has recently been discovered
by pure chance
A fire in the local piano store
surprisingly revealed
that smoked pianos
sound nobler than cooked ones
In huge fireplaces
they now hang
those dispensers of musical delight
like blackened hams
before
smokey-grey and spicy
they satisfy the cognoscenti
Henceforth
the famous house of Bösenstein
will refrain
from boiling pianos hard or soft
according to taste

-by Alfred Brendel with Richard Stokes (translator) from Cursing Bagels, Faber and Faber, 2004

Yo-Yo hits the op-ed page

Gift_2

In case you missed it, Yo-Yo Ma (some sort of musician, I think) has an op-ed piece in today's Boston Herald. The article, titled Culture's a Gift to Give, is based on Ma's remarks before the World Economic Forum in Switzerland last week. Here's a sample:

"Over the past 30 years as a professional cellist, I have spent the equivalent of two full decades on the road, both performing and learning about musical traditions and cultures. My travels have convinced me that in our globalized world, cultural traditions form an essential framework for identity, social stability and compassionate interaction."

Read all of Culture's a Gift to Give.

"A symphony fantastique at Davies" - Concertgebouw conquers SF

Jansons1web
Maestro Mariss Jansons

The Royal Concertgebouw Orchestra and conductor Mariss Jansons are on the West Coast now, which is the opposite of how European orchestra's typically find their way to Boston. Today's San Francisco Chronicle features a review of the Amsterdam-based orchestra's two performance engagement at Davies Hall. Here's a bit of the understandably gushing praise:

"Davies Hall spilled over with orchestral light - limpid and diaphanous in the finely drawn textures of Debussy's evocation of the sea, sparkling brightly in a marvelous "Don Juan," blazing to fiery life in a terrifying "March to the Scaffold" and "Dream of a Witches' Sabbath" in the Berlioz. Warm amber light kept rising from the cellos. The woodwinds sent out strange, arresting pulses."

Read all of A symphony fantastique at Davies.

Mariss Jansons and The Royal Concertgebouw Orchestra visit the Celebrity Series and Symphony Hall Friday evening at 8pm. Tickets are still available.

Eichler reviews Hamelin

Brokpiankys

The Globe's Jeremy Eichler reviewed Saturday's Celebrity Series debut concert by pianist Marc-Andre Hamelin for Tuesday's Boston Globe:

"At one point in his recital on Saturday night in Jordan Hall, Marc-André Hamelin glanced down at the Steinway grand piano with what appeared to be a look of sympathy. It was as if to say he didn't really enjoy giving the instrument such a bruising. Well, OK, maybe just a little."

Read the complete review.

Getting specific on Gershwin

Shallwedance

Time to let you all in on just which George Gershwin gems Rob Kapilow will be dissecting this Saturday evening in the next What Makes It Great? performance, The Songs of George Gershwin:

“I Got Rhythm” from Girl Crazy, 1930
“They Can’t Take That Away from Me” from Shall We Dance, 1937
“Someone to Watch Over Me”  from Oh, Kay! 1926
“Love is Sweeping the Country”  from Of Thee I Sing, 1931

"Girl Crazy"? Wasn't that an Elvis movie...?

David Weininger's Globe preview of Hamelin

David Weininger of The Boston Globe had a chat with pianist - and now Boston resident - Marc-Andre Hamelin. Here is Weininger's column from Friday's Globe, with apologies for the delay.

Jeremy Eichler attended for the Globe. I will post his review when it appears.

The Assads Friends and Family Tour

The Assad Brothers brought their sister Badi (pronounced bah-jee, who knew?), jazz-oriented guitarist Romero Lubambo, and guitarist/vocalist/folklorist and percussion wizard Celso Machado to Sanders Theatre on Friday evening for the first stop of their Brazilian Guitar Festival tour. Some highly subjective impressions (feel free to chime in; the comment link is at the bottom of this post):

For many in the audience (based on rigorous scientific polling), the concert came across as a warm, familial affair. There was a lot of joy evident; joy in the music, joy in the company of family and old and new friends, just joy. And it radiated throughout the hall. It was the kind of concert where the musicians that were not on stage were clustered in the wings to listen.

There were hiccups - "have you ever tried to tune five guitars?" one of the brothers said shyly before a quintet number towards the end of the evening - but it was the tour's first stop. No one seemed to care. They got in the way of nothing that mattered.

The five musicians covered a lot of Brazilian music in two hours, from classical compositions and jazz-oriented songs, to pop music and folk-inspired percussion and wordless vocals played on anything at hand (a la Hermeto Pascoal).

Badi Assad, clearly reveling in her "kid sister" role, enjoyed herself immensely and told the audience what an honor and a joy it was to play with her older brothers who, "taught me everything I know about the guitar."

Celso Machado was a revelation. With hand and vocal percussion he provided the rhythmic underpinnings on every piece that required it, even while contributing harmonically or melodically. There was something of the one-man-band about him. His CD sold out at intermission.

Badi's vocal gymnastics - clicks and pops with her mouth while humming a legato main melody, was the most stunning example - did not get overplayed, or get in the way of making music.

More than one observer compared Badi's singing to Bjork. Make of that what you will.

Romero Lubambo was as charming and funny as when he visited with Luciana Souza two years ago. He told of getting advice from the late flutist Herbie Mann, with whom he toured extensively, to always carry a tin of sardines on tour, so no matter where you were and at what hour, you always had food.

Assad Brothers preview for Evanston, Ill. show

Assadsz
Sergio and Odair Assad

The Daily Herald from suburban Chicago has a nice little summary of the Assad Brothers' Brazilian Guitar Festival in advance of its appearance on the Northwestern University campus in Evanston next Thursday. You know, for those of you that still need a way in to this remarkably accessible performance. Here's a bit:

"Sergio Assad, 55, lives in Chicago, while brother Odair, 51, lives in Belgium and sister Badi, 45, in Brazil. Despite the distances, the siblings perform together several times per year, Sergio Assad said."

I remember from his previous visit to the Celebrity Series with vocalist Luciana Souza that Romero Lubambo lives in New Jersey (or "The United States of New Jersey" as he jokingly referred to The Garden State). I don't know where Celso Machado lives but this ensemble may have set a record for far flung-ness.

The concert is tonight at 8pm at Sanders Theatre. It isn't sold out, but tickets are going fast...

Ailey at Macy's February 6

This just in from the good people at Macy's Downtown Crossing (OK, so we knew it was coming, just play along) - and it's FREE:

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Celebrate Black History Month @ Macy’s Downtown Crossing

Join us on Wednesday, February 6 at 6pm for a FREE discussion of “The Legacy of Alvin Ailey” introduced by Alvin Ailey American Dance Theater Artistic Director Judith Jamison, and featuring dancers Renee Robinson and (Boston native) Kirven J. Boyd. Hear first hand about the legacy of Alvin Ailey, the company’s long standing history with the City of Boston and what it means to be an Ailey dancer. Following the discussion, enjoy refreshments and a chance to meet the dancers.

One of the most acclaimed international ambassadors of American culture, the Alvin Ailey Dance Theater promotes the uniqueness of the African American cultural experience and the enrichment of American modern dance tradition. Alvin Ailey American Dance Theater is presented by the Celebrity Series of Boston, and will be performing February 7-10 at the Citi Performing Arts Center Wang Theatre. Tickets for the Alvin Ailey American Dance Theater engagement are available at Telecharge.com or by calling 800–447–7400.

Wednesday, February 6, 6pm
Macy’s Downtown Crossing, Main Level, 450 Washington Street, Boston
Contact: Robin Reibel, 617-357-2727
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You can also get tickets and information on the Ailey engagement here.

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